WHERE THE WILD THINGS ARE (2009) (****)

15 10 2009
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In the promotion for this film, Maurice Sendak, the author of the book in which the film is based, said the only thing he wanted director Spike Jonze to do with the film was to respect children by not talking down to them. Jonze has done this with this sad, scary and sensational adaptation. Some younger kids might be too frightened to attend, but many will be thrilled by the adventure and relate to the mixed-up feelings of its characters. Like what Carol the Wild Thing says to Max the boy when they first meet, this guy gets it. The same can be said of Jonze.

Max (Max Record, THE BROTHERS BLOOM) is a rambunctious young boy who is confused and scared about all the changes happening around him. His mother (Catherine Keener, BEING JOHN MALKOVICH) is having trouble with her job and she’s dating a new guy (Mark Ruffalo, YOU CAN COUNT ON ME), who doesn’t seem to get kids. His sister Claire (Pepita Emmerichs) is now into her friends and when Max ambushes them in a snowball fight, the older kids take it too far and destroy his igloo. Max begins acting out leading to him biting his mom and running away.

Dressed in a wolf-like costume, the angry boy finds a boat and ends up in the land of the Wild Things. When he first discovers their camp, Carol (James Gandolfini, TV’s THE SOPRANOS) is destroying all the huts, because he’s angry at KW (Lauren Ambrose, TV’s SIX FEET UNDER) for making new strange friends and leaving the camp. Max impresses Carol with his destruction skills. But the other Wild Things are unsure and want to eat Max until he convinces them that he is a king. Under the belief that Max will make things good again, Carol crowns Max their new leader. But Max wonders about the fate of the Wild Things’ other kings when the crown is pulled from a pile of bones.

Max leads the Wild Things in a host of horsing around, which is precarious for Max considering he’s a third the size of the Wild Things. Then he brings them together to build a massive fort. Douglas (Chris Cooper, ADAPTATION) is Carol’s right-hand man, an industrious Wild Thing. Ira (Forest Whitaker, LAST KING OF SCOTLAND) is modest and great at punching holes in things. His companion Judith (Catherine O’Hara, BEST IN SHOW) is the opposite — she’s sarcastic and a self-described downer who doubts Max’s rule. Alexander (Paul Dano, LITTLE MISS SUNSHINE), who resembles a goat, is the smallest Wild Thing and believes no one ever listens to him. The Bull is a large, making his silence quite intimidating.

For the Wild Things, the visual effects artists place digital faces on costumed humans. The effect is marvelous, giving the characters a real weight in the world while providing them with touching performances. Carol is the most complex of the Wild Things. His sensitivity makes him act out in violent ways. His feelings mirror those of Max, who sees how much Carol creates discord among his fellow Wild Things. While he boasts to the Wild Things that he has a shield to keep the sadness out, Max can’t change their nature and soon their idyllic fort plans turn sour. It’s tough being king.

It’s tough being a parent too. The parents in the crowd will certainly connect to the subtly of that message. Jonze could have made the overall themes cut and dry. The world is full of Wild Things and your parents are only trying their best. But he’s too smart to present that message in simple platitudes and speeches. Through the emotional complexity of Max and the Wild Things, he accomplishes something much more moving. During his time in charge, Max gains more than power, but perspective. He sees the consequences of the Wild Things’ actions. He sees his mother as a people. And most importantly, he sees his own role in his life. It’s one of the most important lessons anyone can learn. In the end, he has some of the answers to the title of his story.


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2 responses to “WHERE THE WILD THINGS ARE (2009) (****)”

25 10 2009
Darlene (17:38:35) : edit

Sorry Rick; I didn’t find a lot to love with this movie. I found it to be brilliant on art direction and cinematography but boring on story. It’s hard to blame the writers for the conflict-free story when your source material doesn’t offer much for adaptation to another medium. So instead, we go interior and get the characters talking about their neuroses, which somehow is supposed to sustain the viewer. I thought I was watching some alt-universe In Treatment episode! The character development is so incremental that I guess I’m supposed to satisfied when Carol sees the heart and runs to the ocean, and accept that as evidence of the kind of transformation I’ve been waiting the whole movie to see. Likewise with Max. I’m not asking that Jonz hit the nail on the head; but it would be nice to see the nail and hammer instead of having to imagine it. I’m not sure who this movie is for… too scary for kids under 10 I think and too much talking and too many art film-disguised-as-an-emo-music-video sequences for older kids. I half expected Beck to appear. It’s to Warner’s credit that its marketing dept pulled those big numbers last weekend, but clearly word of mouth did not help to sustain those numbers the second weekend. I would have a hard time recommending this movie. Jonz clearly loved his characters, but he treated them so preciously that I thought he missed the big picture.

25 10 2009
ricksflickspicks (22:19:14) : edit

Couldn’t disagree more. Jonze captures Max as the scared and sensitive boy who acts out angrily against the things he doesn’t understand happening around him. His mom is having trouble with work. She has a new boyfriend. His sister doesn’t want to play with him anymore. The sun is going to die.

Those feelings are mirrored so brilliantly in the land of the wild things. Jonze transported me back to when I was a kid through the imaginative way Max plays. The tension is created through the wonderful sense of danger that he creates. The wild things are out of control and he’s just a little boy caught in the middle.

The resolution doesn’t need to be with Carol because Carol is just Max’s alter-ego. As he sails away he’s saying goodbye to that side of his personality. As I said in my review, Max sees his actions from the outside via his time with the wild things. He makes that crucial step in maturing by gaining self-reflection. He rejects being the king and says to the wild things, “I wish you had a mother.” He realizes he has to grow up and that he has someone who is trying her best to guide him and look over him. The big picture was Max coming into himself and how he affects the world around him.

Jonze crafts a film with real characters with real feelings. Max’s growth is subtle, but the signposts are everywhere. He uses the wild things to mirror Max and his issues brilliantly. And Karen O’s music is perfect in balancing between the mischievous adventure and the sadness that lurks underneath all wild thing children. He does love is characters and they so brilliantly drive every moment of the film. He doesn’t have to come up with some amped up conflict because the threat that the wild things will turn on Max when they discover he is a fraud is always there.

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