Check Out the Trailer

From the moment the sun rises over the savanna and we hear the African chant, THE LION KING grips the audience’s attention. Combining fable with Greek tragedy, this film has a serious undertone that many Disney animated features do not have. The studio dealt with the death of a parent before, but not like this. This is a world with real consequences, which is the basis to all classic children’s tales and what makes this film not just for the kids.

The opening calls together all the animals of Pride Rock to witness the presentation of the new male heir of the kingdom — the lion cub Simba (Jonathan Taylor Thomas as child and Matthew Broderick as adult). His father Mufasa (James Earl Jones, STAR WARS) teaches him to be a just ruler. He explains that the circle of life has the lion eating antelope and when they die they help the grass grow, which new antelope will eat. Simba hasn’t learned yet that there are creatures out who would kill for other reasons. This is the case with his scheming uncle Scar (Jeremy Irons, REVERSAL OF FORTUNE), who sees his nephew as the boulder in his way to the throne.

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Check Out the Trailer

Read my LION KING review.

This 1080p/AVC-encoded Blu-ray is about as good as it gets. On it’s picture and audio alone, it’s one of the must-own Blu-rays of the year. From the first moment when the sun rises over the savanna, the richness of color is impressive. Black levels are solid as well. Details really make the artistry of the animation stand out. During the wildebeest stampede, nothing gets lost in the chaos as dust swirls around the air. The fires at the end with their striking reds, yellows and oranges make a powerful impact. The presentation is clean from both dust and digital anomalies.

The DTS-HD Master Audio 7.1 soundtrack is equally as impressive. Everything is balanced nicely and powerfully. You feel the command of Mufasa when his roar rocks the LFE track. The aforementioned wildebeest stampede is a highlight of the entire sound field and directionality. You feel like you are Simba in the middle of the mayhem. Hans Zimmer’s score is crystal clear and makes an impact right from the first note of the African chant that starts the film. One particular element that stuck out was the dialogue balance that really fit the character and the moment.

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