Buy It Now!

Sony has brought this digitally shot indie to a MPEG-4 AVC 1080p Blu-ray is a nicely natural way. Shot on a RED Camera, the drama doesn’t look overtly clean, but carries a toned down look that brings a film quality while keeping the clarity of digital cinematography. Some of the brighter daylight scenes have that high-def 3-D quality to them. The color palette is full of earthy tones in the costumes and settings. The balance of the “hippie” vibe between the brighter elements is handled well creating a warm and inviting feeling throughout. Blacks are inky throughout too. Digital anomalies are pretty non-existent, except for a few fleeting banding moments.

While this is a quieter film sonically, the DTS-HD MA 5.1 lossless soundtrack is still well done. The dialogue is clean. The balance between the sound elements – dialogue, music and sound effects – is handled well. The score and the ambient music are perfectly rendered. This is where the LFE track comes in nicely. A bus crash also gets the bass booming too. The ambience across the sound field is subtle, but effective. Directionality is pretty much not present, but not missed either.

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Buy It Now!

This dark comedy isn’t the prettiest looking release, but Sony does bring it to Blu-ray in a quality MPEG-4 AVC 1080p transfer. Dimensionality is the biggest issue with the image often looking soft. This then lowers the depth of field. Colors are natural and balanced well. When more vibrant colors pop up in the palette they do indeed pop. Blacks might not be inky throughout, but they aren’t too murky. Digital issues aren’t problematic, but crush is its biggest issue. Of course night scenes in low lighting suffer the worst. Some noise and banding occur but nothing too awful. Most of the issues with the picture quality presumably stem back to the source, which was a low-budget indie shot on Super 35. The worst thing you could say about the image would be that it is inconsistent. Some darker scenes can be murky and feature pixelization, but daylight scenes can be crisp and deep.

Much like its picture, the DTS-HD MA 5.1 lossless soundtrack is the same – inconsistent. The ambience is subtle, but puts the viewer into the settings. Seaside scenes feature wind, ocean and bird sounds across the soundscape. The mix is well done, but nothing is dynamic. The gunfight at the end is sonically solid even if it’s not as robust as others you might have heard in big budget shoot outs. That said directionality during the gunfight is handled precisely. Dialogue importantly with the Irish accents is clear, but a little low at times, but nothing too distracting.

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Malick’s masterpiece was an easy choice for the best film of the year.

In 2011, Malick planted a tree and Michael Fassbender showed no shame. The help made many disagree while two artists showed us the fragility of fame. Three descendants came together in paradise while a driver drove for a price. Siblings discovered the secrets of their mother while Billy Bean was our baseball brother. London teens saved the world and two young lovers gave it a whirl.

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Check Out the Trailer

It was a surprise when Brendan Gleeson was announced as a Golden Globe nominee for his role as a corrupt, drug using, foul mouthed cop. Once you’ve seen it you’ll know why. He owns the role. The best statement said about his character is he’s either really stupid or really smart.

Gleeson plays Gerry Boyle, a north Ireland police officer who is investigating a recent murder when FBI agent Wendell Everett (Don Cheadle, HOTEL RWANDA) comes to town on a mission to stop an international drug ring. When Everett shows the local officers pictures of the suspects, Boyle wonders to the African-American agent how they could be drug dealers when their white. Everyone knows all drug dealers are black or Mexican. Boyle’s defense for his racism is that he is Irish and it is part of his culture.

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